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This book contains a multidisciplinary collection of studies on women in miracle stories found in texts ranging from religious classics to contemporary literary fiction. Miracle stories are a genre of great importance for the study of women's religious inheritance and for the historical and cultural understanding of women as 'makers of faith'. Miracle stories are very generally speaking more open to popular religion and culture than, for instance, doctrinal and official ecclesiastical texts, and as such, they can be of special interest to the study of women's lives and religious aspirations. Remarkably, up till now this genre has not been looked at from this point of view. This book aims to open this field for further research by presenting case studies from diverse angles and disciplines. Some of the questions this book tries to answer are: What do miracle stories specifically tell us about women? Are there some (types of) miracles that are in particular related to (certain groups of) women? What do these stories tell us about women as performers and/or subjects of miracles? What can be said about the social function and religious meaning of miracles by specifically looking at the way certain groups of women are practising and experiencing miracles? By including research on miracle stories in contemporary fiction written by women this book also wants to acknowledge and research the disputed status of 'miracles' as well of 'women' in our present society which is moving from modernity to post-modernity. Please note that Women and Miracle Stories is previously published by Brill in hardback (ISBN 90 04 16681 8, still available).
Miracles. --- Women --- RELIGION --- God --- Marvelous, The --- Miracle workers --- Spiritual healing --- Supernatural --- Religion, Primitive --- Atheism --- Irreligion --- Religions --- Theology --- Religious life. --- Christianity --- Theology.
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La critique habituelle sur le "fantastique" a eu tendance à privilégier l'idée de centre et de genre. On impose de la sorte - de manière souvent arbitraire, avec une prédilection très nette pour l'esthétique de l'ambiguïté - un prototype à partir duquel on juge de la parenté et de l'appartenance éventuelle d'autres textes frontaliers. C'est là ne s'accorder qu'à la surface... Cela fait notamment l'économie des différentes évolutions, de la pluralité des "effets de fantastique", qu'ils relèvent d'une spécificité historique ou d'une particularité géographique, voire de supports éditoriaux habituellement rejetés par les instances de légitimation. En outre, entérinant comme universelle la création française du "fantastique", la critique refuse frileusement de voir les avatars du mot et de la réalité que recouvre ce vocable "fantastique" dans d'autres domaines culturels et d'autres frontières linguistiques. De plus, elle occulte de manière générale la critique étrangère. Nous entendons décaler la perspective : au lieu de partir du fantastique comme centre et nous enferrer sur l'idée de genre, nous refusons de nous soumettre aux présupposés culturels des instances de légitimation. Sans négliger les récits usuellement sollicités, nous posons l'importance de certains textes fréquemment sous évalués, de certaines sphères culturelles généralement négligées, ainsi que celle de la critique étrangère, trop souvent jugée inadaptée à l'horizon "français". A terme, un parcours divergent s'impose, avec à la clé une nouvelle vision des frontières et des effets de fantastique. Nous entendons ainsi éclairer de manière originale et inattendue la complexité des phénomènes que l'on peut rapprocher des sentiments de l'inquiétude, de la peur, de la terreur ou de l'angoisse, à partir de la présence d'un impensable, d'un "impossible mais pourtant là".
Comparative literature --- Fiction --- Thematology --- Fantastic [The ] in literature --- Fantastique [Le ] dans la littérature --- Fantastische [Het ] in de literatuur --- Marvelous [The ] in literature --- Merveilleux [Le ] dans la littérature --- Wonderlijke [Het ] in de literatuur --- Fantasy literature --- Horror tales --- Science fiction --- History and criticism --- History and criticism. --- Horror tales - History and criticism. --- Science fiction - History and criticism. --- Fantasy literature - History and criticism
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Comparative literature --- Magic realism (Literature) --- Literature, Comparative --- Philology --- Magical realism (Literature) --- Fantasy fiction --- Surrealism --- Magic in literature --- Marvelous, The, in literature --- Realism in literature --- American and Latin American --- Latin American and American --- History and criticism --- America --- Literatures --- History and criticism. --- REALISME MAGIQUE (LITTERATURE) --- LITTERATURE COMPAREE --- AMERICAINE ET HISPANO-AMERICAINE
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82-3 --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- Réalisme magique (Littérature) --- Fiction --- Magic realism (Literature) --- Magical realism (Literature) --- Fantasy fiction --- Surrealism --- Magic in literature --- Marvelous, The, in literature --- Realism in literature --- History and criticism --- Magic realism (Literature). --- Roman --- History and criticism. --- Histoire et critique --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Fiction - 20th century̨ - History and criticism
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Der Autor vergleicht die drei Erzählungen der Apostelgeschichte über Gefängnisausbrüche mit anderen Befreiungswundern in griechisch-römischen und jüdischen Mythen. Eine Analyse dieser Geschichten und ihrer konventionellen Darstellung göttlicher Epiphanie und Kultbegründung ermöglicht neue Einblicke in den kulturellen Kontext und die narrative Darstellung frühchristlicher Geschichte in der Apostelgeschichte. Past scholarship on the prison-escapes in the Acts of the Apostles has tended to focus on lexical similarities to Euripides' Bacchae, going so far as to argue for direct literary dependence. Moving beyond such explanations, the present study argues that miraculous prison-escape was a central event in a traditional and culturally significant story about the introduction and foundation of cults - a story discernable in the Bacchae and other ancient texts. When the mythic quality and cultural diffusion of the prison-escape narratives are taken into account, the resemblance of Lukan and Dionysian narrative episodes is seen to depend less on specific literary borrowing, and more on shared familiarity with cultural discourses involving the legitimating portrayal of new cults in the ancient world.
Bible / N.T / Acts --- Criticism, Form --- Miracles --- Comparative studies --- Escapes --- Mythology --- Myth in the Bible --- 226.6 --- Handelingen der apostelen. Akten van de apostelen --- Myth in the Bible. --- Demythologization --- Prison escapes --- Adventure and adventurers --- Fugitives from justice --- Prisoners --- Prisons --- God --- Marvelous, The --- Miracle workers --- Spiritual healing --- Supernatural --- Bible. --- Acts (Book of the New Testament) --- Acts of the Apostles --- Chongdo haengjŏn --- Sado haengjŏn --- Criticism, Form. --- Jail breaks --- Prison breaks
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Christian church history --- History of France --- anno 1600-1699 --- Saints --- Spiritual healing --- Canonization --- Miracles --- Guérison par la foi --- Canonisation --- Cult --- History --- Culte --- Histoire --- France --- Religious life and customs --- Vie religieuse --- 235.3*2 --- 235.3 <44> --- Hagiografie: patrocinia --- Hagiografie--Frankrijk --- Religious life and customs. --- 235.3*2 Hagiografie: patrocinia --- Guérison par la foi --- Persons --- God --- Marvelous, The --- Miracle workers --- Supernatural --- Rites and ceremonies --- Beatification --- Christian saints --- Saints - Cult - France - History - 17th century --- Miracles - France - History - 17th century --- Canonization - History - 17th century --- Acqui 2006 --- Procès de canonisation --- France - Religious life and customs --- MIRACLES --- CANONISATION --- SAINTS --- HISTOIRE RELIGIEUSE --- FRANCOIS DE SALES, SAINT, 1567-1622 --- FRANCE --- PROCES --- CULTE --- 17E SIECLE --- Histoire religieuse
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